The Shape Of Water was a stupid choice for best picture. It plagiarizes Splash and The Creature From the Black Lagoon but is not as good as either of those two classics. The plot was idiotic and the “creature” absurd. The Shape Of Water is reminiscent of 1950s “monster movie porn”. In the 1950s and even early 1960s movies were very tightly censored. Movie producers knew that they could increase ticket sales by revealing as much of a woman’s naked body as they could get past the censors.
The solution was what insiders jokingly called “monster movie porn”. Every monster movie had a beautiful woman and the monster always seemed to attack when that woman was in a nightgown, or a bathing suit, or naked in the bath tub. That way producers could argue that the nudity or implied nudity was “essential to the plot”. In addition, censors tended not to waste much time watching low budget monster movies. The censors main focus was on regulating main stream movies by major studios. Consequently, the cheesy monster movies got away showing a lot more female flesh than the Feature Films. (Male nudity, was completely taboo.)
The Shape of Water pretends to be an intellectual art film about the importance of accepting people of all kinds. However, it manages to get character Sally Hawkins (wonderfully played by Elisa Esposito) naked on screen within the first 5 minutes. The film opens with her alone in her apartment where we see that she is deaf and lonely and poor. Was it really necessary to the plot to then show her naked in the bath tub?
The plot of The Shape Of Water was also ridiculous. The U.S. military has a sea creature locked in a secret facility where Sally and Zelda (Octavia Spencer) are cleaners. There are armed guards and closed circuit T.V. cameras everywhere. That is, everywhere except the actual room where the creature is kept. The whole point of the security is to guard the creature, but for some reason there is no guard or T.V. camera in the room where the creature is kept. In fact, security in that room is so lax that Sally often eats her lunch in that room with no one being aware of this.
Michael Shannon plays the evil Agent Strickland, who wants to kill The Creature. Michael Shannon’s trademark is playing “over-the-top” semi-insane authority figures. He is perhaps best known for his portrayal of FBI agent Nelson van Alden in Boardwalk Empire. However, in The Shape Of Water he really overdoes it. In one scene, he literally rips off two of his own fingers, throws them away and then continues on his quest to kill The Creature. This really seems like something that belongs in a 1950s drive-in movie horror film and not in The Best Picture Of The Year.
The ending of The Shape of Water (spoiler alert) is a complete rip off of Splash. At the end of the 1984 film Splash, Tom Hanks dives into the water after the Mermaid (Daryl Hannah) only to discover that he can actually breathe underwater. At the end of The Shape Of Water Sally dives into the water after the creature, only to discover that she can breathe underwater.
The worst part of The Shape Of Water getting Best Picture is that there were so many wonderful movies in 2017 that would have been better choices. Ladybird and Get Out were both terrific movies. There was also Dunkirk, Darkest Hour, The Post and Three Billboards Outside Ebbing Missouri. Any one of these would have been a better pick for best picture than The Shape of Water.
Ratings for the Oscars ceremony have been falling for years. This is partly due to the fact that the (pompously named) Academy Of Motion Picture Arts and Sciences seems further and further out of touch with the actual movie-viewing public.
- We rate The Shape Of Water 2 Stars **
- Read all our Movie & T.V. reviews