The Orville fans are furious that Alara (played by Halston Sage) left the show early in Season 2. Rumors are that she had an affair with creator Seth MacFarland, and that when the affair ended Seth MacFarland threw Halston Sage offThe Orville.
Rumors of an affair between Seth MacFarland and Halston Sage are ridiculous. The rumors started because Haltson Sage’s character (Alara) on The Orville has semi-romantic feelings for Seth MacFarland’s character (Captain Ed Mercer). Somehow internet gossip took this plot line and turned it into a real affair between Seth McFarland and Halston Sage.
However, internet rumors aside, we are unhappy about Halston Sage leaving The Orville. Alara was the most interesting person onThe Orville crew.
Alara grew up on the planet Xelayan, whose gravity is many times that of Earth. Therefore, she is tremendously strong despite being a petite young woman. Shy and unassuming, Alara is uncomfortable with the fact that she has super strength compared to those around her. It causes particular issues in her love life, since the young men she dates just can’t get used to a girlfriend stronger then they are. That is why Alara falls for Captain Mercer, who is completely self-assured and natural when interacting with Alara.
In Season 2 of The Orville, Haslton Sage is replaced by Jessica Szhor, who plays Talla, another Xelayan. Unfortunately, the Talla character is just not as interesting as Alara. Talla is brash and almost arrogant about her super-strength. It makes for a much less interesting plot line.
We are hoping that all of this is just a prelude for Halston Sage returning to The Orville as Alara in another capacity. With the current Me TooMovement it might have seemed inappropriate for the Captain of The Orville to have a romantic relationship with a young female junior officer under his command.
Perhaps Alara will return to The Orville as an ambassador from her home planet. In this way she would no longer be under the command of Captain Mercer and they would be free to finally act on their feelings for each other.
In any case, we at East Coast Stories are big fans of Halston Sage. We join the growing group of people shouting to the writers of The Orville “Bring Back Alara”!
Mary Shelley stars Elle Fanning as the woman who wrote Frankenstein in 1816 when she was only 18 years old. The first addition of Frankenstein in 1818 was published anonymously, since the publisher did not believe the public would take a female author seriously.
Women in 1818 were supposed to admire great works of literature, not actually write any. Lord Byron (excellently played by Tom Sturridge) openly admits that he wants the women in his life to be intelligent enough to see how clever he is, but not so smart as to be able to challenge any of his ideas.
Born Mary Wollstonecraft Godwin to a radical literary family, Mary had an unusual upbringing to say the least. Her mother had been an outspoken feminist who died shortly after Mary was born. Mary’s father William (played by Stephen Dillane) educated Mary and her half-sister Claire (Bel Powley) in English literature, Greek and Latin.
However, just being an intellectual does not pay the bills or put food on the table. At the age of 16 Mary runs off with the 21 year old Percy Shelley (Douglas Booth). It is obvious to anyone but a 16 year old that Percy is what today we would call a poser and a lech. Percy Shelley is already married, and makes almost no money from his poems. He lives entirely on his father’s money, and when his father cuts him off, Mary and Percy are impoverished. To make matters worse, Mary’s younger half sister Claire has also run off with them and become the under aged mistress of Lord Byron.
Mary Shelley is a excellent film, and shows how the monster in Frankenstein was the manifestation of all the miseries in Mary’s existence brought to life. By the age of 18 Mary had known more sorrow than most people ever have to face in a lifetime. Mary Godwin had been treated horribly by a man she trusted, lived in poverty and had her beautiful baby die.
The “monster” in Frankenstein was actually Mary Goodwin herself. From the moment the monster is born it is treated badly. It searches for love and kindness and instead is met with violence and misunderstanding.
The film Mary Shelley somehow did not get much attention when it was released, but is well worth watching. It is a psychological drama that is also an excellent “period piece”. Elle Fanning is perfect as Mary Shelley, with a combination of intelligence, vulnerability and iron will. Once you see the film Mary Shelley it will change your view of Frankenstein forever.
Call My Agent (Dix Pour Cent) is a wonderful French television comedy series now showing on Netflix. ASK is a Paris talent agency, struggling to make money while managing the careers, insecurities and giant egos of the actors they represent. Each of the characters is unique and interesting. It is great to see a series that is not about cops, lawyers or doctors. Call My Agent is broadcast in the original French with English subtitles. This is much better than if Netflix had dubbed the series. It allows us to hear the real voices and French is such a beautiful and expressive language. (Of course, the correct translation of DixPour Cent is “Ten Percent” not “Call My Agent”. Ten Percent refers to the fee talent agencies take for managing actors’ careers.
The agents at ASK each have unique personalities and completely different methods for handling their clients.Mathias (played by Thibault de Montalembert) is all business and at first seems completely motivated by money. He is very smooth but completely insincere. But there is a hidden side to Mathias, who has a very complex personal life.
Agent Gabriel (Gregory Montel) is the exact opposite. Gabriel truly cares for the well-being of his clients, which makes life very difficult for Gabriel. His great weakness is that he has a tendency to fall madly in love with every actress he represents.
In the opening episode, Gabriel’s premier client Cecile de France is excited that she will be the lead actress in an American Western directed by QuentinTarantino. She has been taking English lessons and even horseback riding lessons to prepare for the part. Then Gabriel receives devastating news. Tarantino has decided not to cast Cecilede France because she is too old. It becomes Gabriel’s job to find a way to tell a beautiful, talented, dynamic woman that she is now considered “too old”.
Andrea (Camille Cottin) is a passionate, excitable force at the agency. She wants ASK to be more than a money-making machine. She wants her clients be part of great films they will all be proud of. Andrea also happens to be best friends with Gabriel. Together they must often team up to thwart the plans of Mathias, who cares nothing for integrity or the clients. Sexually, Andrea prefers the company of women. This creates a problems when the government tax auditor comes to review ASK’s books. It turns out the woman is someone whose advances Andrea had once spurned.
Liliiane (Arlette Azemar) is the oldest agent, and has been around the film business forever. Liliane has seen it all before and consequently does not get as upset at small setbacks as the young partners do. Lovingly referred to as the “Old Lady” of the firm, Liliane takes a more relaxed attitude, and even brings her little dog to work each day. Liliane has also been around long enough to know all the secrets of everyone in the French film industry.
The agent’s personal assistants in Call My Agent also each have their own story lines. Fanny Sidney is Camille, who is secretly the illegitimate daughter of one of the firm’s partners. Laure Calamy is Noemie who tries to hide the fact that she is desperately in love with Mathias. Nicholas Maury is Herve, who endangers the firm’s reputation by showing confidential movie scripts to a deliveryman he is trying to pick up.
Steli Celma is Sofia, the firm’s receptionist, who is also an actress, and Gabriel agrees to be her agent. Sofia is of mixed race, and Gabriel soon finds that racial prejudice is rampant in the French film industry. Directors openly tell him that Sofia is “too dark” for most roles but “not black enough” for others.
Call My Agent is a terrific series where you truly care about each character. You may find yourself binge-watching it.
The Deuce is the HBO series that is supposed to be a realistic look at 42nd street in the 1970s. While fun to watch, it has a lot of factual errors that make it more fantasy than reality. Here are just a few of the errors:
The prostitutes in The Deuce are too beautiful, too clean and too well spoken. Movie and T.V. producers have a long history of glamorizing prostitution. The most extreme example of this was JuliaRoberts as a Street Walker in Pretty Woman. Her character was gorgeous, well-spoken and had no pimp, drug addictions or venereal diseases. The Deuce on the other hand, pretends to portray the “dark side” of prostitution but has been cleaned things up so much that it makes the business look exciting instead of disgusting. Like many so called “gritty” shows about prostitutes, The Deuce could not resist showing beautiful naked women as often as possible. Consequently, The Deuce, ends up sanitizing the entire business of the virtual enslavement of young women as sex workers.
The Deuce pretends that violent crime in New York was limited to 42nd Street. Season 1 of The Deuce takes place from 1971-1972. Season 2 of The Deuce happens in 1977-1978. In those time periods, violent crime was rampant throughout New York City. In 1972 there were 2,026 murders in New York City compared to 290 in 2017. In other words, the murder rate in NYC during the time of The Deuce was almost 600% higher than it is now! Anyone watching The Deuce would think that crime on 42nd street was completely due to lazy and corrupt cops. In fact, the NYC police force in the 1970s was simply overwhelmed by crime in every neighborhood in New York.
The real reason the Mafia was interested in X-Rated movies is never mentioned in The Deuce. The Mafia actually did not care if X-rated films were profitable or not. For the Mafia, the most important aspect of companies making X-rated movies is that they were legal businesses that could file tax returns. The Mob needed someplace to hide all the profits from their illegal businesses. Organized crime bosses feared the IRS more than anything else. The Mafia bosses needed “legitimate business interests” that could explain how they afforded their cars, homes, boats and mistresses. The X-rated film industry provided the perfect cover. That is why in 1972 the X-Rated Deep Throat declared on tax returns gross box office sales of $600 million. In that same year The Godfather took in box office receipts of $133 million. No one knows how much the real box office sales were for Deep Throat. The $600 million figure was a way for the Mob to legally declare its income from drugs, gambling, extortion and prostitution.
The Deuce pretends that Mafia involvement in the porn industry is limited to New York City. At the end of Season 2 of the The Deuce, two of the main characters escape the grip of Organized Crime by simply going to California. Ex-prostitute, turned porn star Lori (Emily Meade), begins a beautiful new life in the Sunshine of Los Angeles. Wearing a lovely white dress, she steps out of the airport into the arms of her rich, handsome, sports car-driving new boyfriend. By leaving New York Lori has escaped cold, dirt, her pimp, and the Mob. It is an idiotic ending. Emily Meade, of course, is also one of the actresses who is far too beautiful to be playing a street prostitute. Her character also has no drug problem or STDs. Eileen (Maggie Gyllenhaal) is able to get Mob-free financing from an investor in California.
Eileen also has a happy California ending. Her first X-rated production (Red) was almost completely Mafia financed and as a result she got almost no profit from it. (Mainly because her idiot producer, played by James Franco, sold more than 100% of the movie to 2 different Mafia Capos.)
However, at the end of Season 2 of The Deuce it is implied that Eileen will be able to get future “clean” money from California investors. She will continue to make the films in New York, but the money will come from legitimate California sources. This scenario is absurd. People in Mafia-controlled businesses do not simply “walk away” and tell the mob bosses that they have found different investors. The 2 New York Capos who financed Red are certainly not going to let Eileen continue to make films in New York without their involvement. Organized Crime is a world-wide phenomenon. The Deuce implying that the mob is not involved in the California porn industry is ridiculous. By the way, all the Linda Lovelace scenes in Deep Throat were filmed in Florida.
Despite all its flaws, The Deuce is an interesting and well-acted series. People not old enough to have seen Times Square in the 1970s probably think The Deuce is making things look worse than they really were. In fact, The Deuce is considerably understating the sleaze and dirt of the old Times Square. In the 1970s no one would have believed that in the future Time Square would have been filled with tourists and their small children posing for photos with cartoon characters.
The DeuceSeason 3 is planned for this year. Apparently the time-line of The Deuce will jump to 1980s. This is when the combination of AIDS, cocaine-fueled gang violence and soaring real-estate prices kills or forces out of Times Square all the people who used to call it home. Season 3 of The Deuce will probably be rather depressing. The chance of gay bar owner Paul (Chris Coy) living through the AIDS epidemic seems very slight.
Of course, the biggest change to the entire porn industry actually occurred in the 1990s with the arrival of the internet. Once the internet really got going, no one ever had to physically venture out of the house to view porn. The difficult part now is trying toavoid pornographic images. Prostitution and sex trafficking, of course, still exist but the internet has helped it become more hidden from the general public.
Finally, no one ever called 42nd Street “The Deuce”. It has always simply been known as” 42nd Street” or “Times Square”.
The Deuce does its best to try to recreate a time and place
that many New Yorkers would rather just forget. The Deuce fails in some
aspects but is still an intriguing show.